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Mar. 3rd, 2011

Better Post Something Quick!

 Eeek!  I just saw that my agent, Natalie Fischer, has linked to this LiveJournal from the client tab of her popular blog, Adventures in Agentland.  Knowing that I hadn't updated here in *gasp* three months, I thought I'd better post a "hello" message to those who might follow the link.  Hello!  This LJ has been neglected a bit lately, mainly due to my more focused participation in the cooperative blog, Let the Words Flow, to which I'm a regular contributor.  So please visit me there until I revive this LiveJournal.  (And thanks to Natalie for the unintentional "nudge."  ;D)

Nov. 19th, 2010

Two Techniques for Creating Vivid Characters

 This will be a bit of a simple post, since I'm currently fighting the flu. (Right now it's a draw, but I'm hoping to emerge the winner in a day or so!)

Creating a vividly drawn, unique, and interesting character... Where does a writer start? I want to propose two techniques for bringing the spark of a real, multi-faceted character to life. One I stole from F. Scott Fitzgerald. The other I stole from Sheryl Crow (and also JD Salinger, but mainly Sheryl Crow.)

Read the rest of the post here.

Nov. 8th, 2010

Idea Generation

(posted on julieeshbaugh.blogspot.com on 11/6/10) 

Where do you find your ideas?

This can be a difficult question to answer, since usually, an idea seems to come out of nowhere. One day you're driving in your car or taking a shower and BAM! An idea hits you. Some of us even wake up in the middle of the night and have to grope for a pen on the bedside table to jot down the idea that came to us in our sleep.

All of this would seem to imply that we as writers have no control over our ideas. I disagree. These ideas, I would argue, are the product of a subconscious mind that has been "trained" to act as an "idea generating machine."

Here are five suggestions to prime your mind to subconsciously formulate story ideas:

1. Always ask "what if"? You may have heard never to open a query letter with a hypothetical question - and I heartily agree with this advice - but that shouldn't mean that hypotheticals are useless to writers. Most of us think this way already. If it rains for three days straight, we say, "Imagine if this were snow!" If it starts to storm, we say, "Imagine if you had to leave on a flight on a day like today!"
Since most of us already think this way, I'm simply suggesting you take your questions a bit further, depending upon your genre, of course. You may ask yourself, "What if it never stopped raining ever again?" or "What if the rain that fell was acid and destroyed everything it touched?" You may think of the flight taking off in a storm and ask, "What if two long separated lovers were seated next to each other in a jet taking off in horribly bad weather?" or "What if lightning hit an engine just as a hijacker was storming the cockpit?"
Just pushing your "what ifs" a bit further will jump start your imagination.

2. Never accept that there is only one solution to a problem. If you have to pick up Joannie from cheerleading and Rebecca from field hockey, and they are ten minutes apart and you have only five minutes to make the trip, you can probably figure out at least one solution. Maybe Joannie catches a ride with another family. There's a solution, so the problem is solved. But as a writer, I suggest you train yourself to come up with a few extra solutions. Rebecca could walk to the local library and wait there. Joannie could ride her bike to practice so that you only need to worry about Rebecca. By looking for multiple solutions to problems, your brain acquires the habit of thinking creatively.

3. Ask questions like a child. I remember when my son was small he would ask questions all the time. "How does an antenna work?" "Why do fluorescent lights make my skin look blue?" "How does the TV find the right show when you change the channel?" I'm embarrassed to admit how many times I had to answer, "Go ask Dad." Shouldn't a grown woman know how an antenna works? And if she doesn't, shouldn't she be anxious to find out the answer? Unfortunately, as we get older, we let the day-to-day questions, "How am I ever going to pay the cell phone bill?" crowd out the questions that lead to much more creative thinking.

4. Read widely. While it's important to read in the genre you write, you should also be reading fiction you don't write, as well as magazine articles, the newspaper, travel stories, or science journals. Recently, while the miners were trapped, I developed a voracious interest in Chile, and tried to learn as much as I could about this country I'd rarely thought about before. Not long before that, a photo on a magazine cover spawned a frenzy of research into Machu Picchu. To date, I've never used anything I've learned about Chile or Machu Picchu in any of my fiction, but it has helped train my mind to imagine different environments, and the lives of the people who live there.

5. Think like a "social anthropologist." The best way I can explain what I mean by this it to tell you about a recent experience of having my car towed in Philadelphia. Finding my car missing from the place I had parked it started a series of events, each one more frustrating and inconvenient than the last. Hours later, my husband and I found ourselves in a neighborhood I most likely never would have wandered into, trying to negotiate with a very unreasonable man through a window so darkly tinted as to make it impossible to see his face. He directed us to a corner auto tags service - a tiny room where the none-stop sale of lottery tickets appeared to be the only purpose of the business. Once we managed to find someone who spoke enough English to understand what we needed, we were able to have proof of insurance faxed to the establishment so that we could then return to the rudest man in Philadelphia, talk to him through his bullet-proof tinted glass, and finally, claim our vehicle.
You may be wondering what this has to do with anthropology. Good question! After all, this experience was far from educational. Yet, it did introduce me to people, places, manners, and routines that are outside my typical life experiences. Through it all, I tried to make a mental image of the landscape, the behaviors, and the expectations that were unique to this particular situation. For that afternoon, I was a "social anthropologist."

As a writer, I'm sure you know that your mind is working on a subconscious level all the time, even while you sleep. Tell your subconscious that you want it to come up with new ideas and premises for you. Teach it as many creative thinking techniques as you can. Then, just get out of its way.

Do you have unique methods for generating ideas? Do you already practice any of these habits? I'd love to hear from you in the comments.

Nov. 6th, 2010

I've launched a new blog!

 Today I launched a new blog to serve as my professional home on the web.  Please take the time to stop by and leave a comment on the debut post:  Idea Generation.

Also, the new blog has details about freelance editing services I am now offering.  The fees are very reasonable, and I'm currently having a 30% off Grand Opening Sale!  

Here's the link.  I hope to see you in the comments!  Thanks for your support, guys!

http://julieeshbaugh.blogspot.com

Nov. 4th, 2010

A teensy teaser of my NaNoWriMo project

 I wasn't going to share any of my WIP from NaNo, because, the way I see it, the idea is to write quickly, not well.  But I couldn't resist the urge to go back and spruce up the opening (I know, I know... WriMos aren't supposed to edit while they write...) and now I think I have a few paragraphs I'm willing to share.

So here's the premise (definitely NOT polished to perfection, I assure you!):

My NaNo project is called THE FINAL TRANSMISSION. It's a YA SF/F set in the future (2031, at least for now.) A sixteen year old girl receives a transmission over her family's ancient short-wave radio. The message is coming from the future - just two years away - and is a Mayday call from an eighteen year old boy whose family is living in a research outpost on Antarctica. Our heroine, Wistar, can glean just enough from the message to realize that it was made in the aftermath of a world-wide apocalyptic event. The family is running out of food and fuel, and the message is their final desperate transmission to the world, although it's clear they suspect they may be the only survivors left.

Wistar tries to put the whole thing out of her head, but she hears it again the next day. The same final transmission coming from the future.

Unable to ignore it, she sets out to discover what she can about the events that will happen in the next few years, and to stop them.

That's the general premise. :)

So here are the first two paragraphs of THE FINAL TRANSMISSION:

This storm was not like other storms. Wistar watched through her bedroom window as the wind bent the trees almost in half. A great gust sent red and gold leaves tumbling through the air as if they were rolling through the rapids of an invisible river. At this rate, Wistar thought, autumn will have completely left the landscape by morning, and winter will have taken its place.
Over the field to her right a dark cloud cast a shadow that slid swiftly across the rows of corn toward the farmhouse. Just as the car she’d been watching for appeared at the crest of the long gravel driveway, the first crash of thunder rang out and rain began to pour in torrents from what had been, a moment before, an almost clear sky.

I realize that doesn't take you very far into the story, but isn't that what a "teaser" is all about?  Plus, the next paragraph is pretty bad.  

Yep.  

Repeat after me: "I must not waste too much time editing."  Write.  Write.  WRITE.

Nov. 2nd, 2010

“What would life be if we had no courage to attempt anything?”


The title of this post is a quote spoken by the great Dutch painter, Vincent Van Gogh. I think it's a worthy question to consider as we enter day two of NaNoWriMo, or, more generally (I realize not EVERYONE is doing NaNo!) as we writers face the daily goal of getting words down on paper.

When I consider this quote, I can't help but consider at the same time the man who spoke it. Van Gogh was a brilliant painter. His work broke new ground, and his images (my favorite painting of all time is Van Gogh's The Starry Night) caught on canvas the energy in all things - whether a sunflower, or a landscape, or the face of the local postman.  By painting as he saw the world, in a style he felt best served his subjects, he indeed showed courage. It took courage to do great work, even in the face of constant failure.

Van Gogh never achieved fame or fortune while he lived, and in fact, only sold one painting during his lifetime. Today, an original Van Gogh would sell for over 100 million dollars.

Here was an artist who created art without the encouragement an artist finds in success. This raised the question in my mind, "Would I continue to write if I had no hope of success during my lifetime?" And my answer is, "Yes."   But not because I don't hope for success.  I do hope for success.  But I realize that "success" comes in many forms.  

How do you define success? Isn't it the sense of fulfillment we have when we've had the courage to attempt something, and then seen it through to completion?

I'm attempting to write 50,000 words by the end of November. As of this moment, I have 2929 completed. But even that is 2929 words of success. I may get halfway through this month and decide that this book is all wrong. But even attempting the book, and having the courage to admit it is all wrong, is still a form of success.

Keep at it.  Bravely face the keyboard.  Because what would life be, if we had no courage to attempt anything?


Oct. 29th, 2010

Friday Five - NaNoWriMo!



I've never done a Friday Five (I don't think...) so I thought today would be a good day to start, considering it is almost NaNoWriMo!

1.) Do not fear NaNo! If you've never done it before, we can be newbie buddies, because I've never done it before, either. (We can be NaNo virgins together!)

2.) 1666 words per day is NOT as much as you think! Seriously, this is a FIRST DRAFT. Just type words, you can replace them with the "right words" later (in December.)

3.) Don't give up if you slack off a bit. If you miss a few days, a couple of 2-3k days and you've caught up! And really - what if you end the month with 40k words instead of 50k? You still have a freaking lot of words that you didn't have on October 31!

4.) Personal opinion - use NaNo to explore an idea you might not have tried otherwise. I had an idea for a "next WIP," but it would require a LOT of historical research. Since NaNo is more about churning out prose, I decided to "test" another premise, just to see if it has "legs" and to see if I still like it a month from now. Here it is: Title: THE FINAL TRANSMISSION. Teaser: "Every night she hears it. A distress signal from the future. His final transmission." I like it SO MUCH today. November 15? We'll have to see!

5.) Have fun! Use fun supplies - cool notebooks, post-its in pretty colors, special pens... Make sure you enter Susan Dennard's contest for NaNo gear - http://susandennard.com/2010/10/29/giveaway-extravaganza-day-5/

So I hope to see you at NaNo! If you register, buddy me! I'm Juliesh.

cheers!

Oct. 28th, 2010

NaNoWriMo is having a used books drive!



 I have a few books I think I could part with.  ;)  Even if you're not inclined to donate your used books, the video is fairly amusing, so I thought I would share! Enjoy!

Oct. 25th, 2010

Trudge, trudge... um, I mean, SKIP, SKIP!

 “Success is not final, failure is not fatal: it is the courage to continue that counts.” Winston Churchill

I love this quote.  I'm just going to skip over the last part, because, after all, I've been writing about the importance of persistence for a while.  But the first two points are so neglected, and yet so accurate, they deserve some attention.

"Success is not final..."  YIKES, right?  As writers, don't we all imagine that when we reach that hurdle up ahead and manage to sail over it - whether it be completing our manuscript, or securing representation, or going out on submissions - that then we will have achieved SUCCESS and that feeling of fulfillment will finally, and forever, be ours.  I know how this works because I've been there myself (several times!)  But here I am, having achieved "success" many times over, and still I pursue it every day.  You may think, "Well, once she's published, then she'll have a success that lasts.  Publication is a kind of success that is final."  All I can say to that is - I hope not!  Would you be satisfied with just one published book if you were a writer?  Of course not!  And once published, there is no guarantee that the next book will achieve the same success.  So don't look forward to the finality of success.  If you're truly lucky, you'll forever have something to strive for.

"Failure is not fatal..."  Well, you already knew that; didn't you?  Or DID you?  I don't know that I have always lived as if failure couldn't kill me.  I've certainly made choices based on the fact that I believed failure could INJURE me!  One example would be the reaction I had years ago, when, after receiving a rejection letter to a full manuscript I had sent one of my top choice agents, I stopped writing novels and began making short films.  Of course, my main interest at that point had switched to independent filmmaking; I didn't base the decision to pursue film solely on this rejection letter.  However, there was a line in the letter - something to the effect of, 'I don't believe that this would be your best debut novel, but I'm anxious to read your next' - that made it impossible for me to begin that next novel.  There was something very comforting in telling myself that, should I write another novel, THAT would be the one.  As long as I didn't actually write the novel, this belief couldn't be proved wrong.  How ridiculous our efforts at self-protection can be!  Fortunately, I had a lot of fun and a fair amount of "success" in film and then video production.  But it is a shame that I waited years to test the theory that my NEXT novel would be the ONE!

So in a way, I guess, this is just one more post about perseverance.  But I hope it is inspiring in a unique way.  What I hope you take away from this post is the idea that it is not the journey's end, but the journey itself, that makes the trip worthwhile.  So let's all try to skip along the path, even when we're tempted to trudge.  :)

Oct. 6th, 2010

Wordle - That Great Revision Tool! (?)

 This morning I read an excellent post by LJ member pat esden here: http://patesden.livejournal.com/78205.html  The point of the post (and I do recommend you click over and give it a look!) is the overuse of certain words and phrases in a book.  One example she mentions is the overuse of characters raising their eyebrows.  I know exactly what Pat is talking about here, and I'm sure you do, too.  Usually this kind of repetitive description is a first-draft problem, but as Pat points out in her post, repetition does seem to slip into a published book all too often.

I had en epiphany recently that I use the word "just" as a modifier way WAY too often.  It's wonderful to realize a problem that is so easy to fix, and that actually helps you make your writing more precise with comparably little effort.  I was so excited about this epiphany, not only because I realized that cutting out the unnecessary modifiers or substituting better words would improve the manuscript, but because I made the discovery quite by accident!  I found it using www.wordle.net

You may already be familiar with Wordle, and you may even have used it to play around with word pictures.  A while ago, I pasted in my entire manuscript of FIREFLY.  The word picture that resulted was fun to analyze, because the more frequently a word is used, the larger it is displayed in the Wordle.  I wasn't surprised to see that the names of my two main characters, Mary and Cole, were the largest.  I was, however, shocked to see that the next largest word was "just."

Since I made this discovery, I've been making an effort to cut the word "just" from the text when I chance across it in the course of revisions.  Yesterday, after eliminating a few more places where this repetitive modifier intruded on the prose, I wondered if I had thinned out enough of them.  I hadn't done a manuscript-wide search for the word, but I'd eliminated so many in the course of my revisions, I was confident "just" would have a much more appropriate size in the new Wordle.  Well, I was just plain wrong.  I guess I just enjoy using this word much more than I realized.  (And yes, I am aware that I used that word twice in the last two sentences!)  

My plan is, when all other revisions have been finalized, to do a search through the book to find all of the places "just" is used where a stronger, more precise word (or no word at all!) would be better.  

Wordle, my unlikely editor, THANK YOU!

(I just realized that my FictionPress username is Just Julie.  Sheez!)

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